ARTBOOK BLOG

RECENT POSTS

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

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DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


IMAGE GALLERY

Featured image, Untitled (The Cornet) (2012), is reproduced from
CORY REYNOLDS | DATE 6/26/2013

Jockum Nordström: All I Have Learned and Forgotten Again

In Hatje Cantz's new monograph on Swedish artist Jockum Nordström, John Hutchinson writes, "Jockum Nordström creates oddball and apparently naïve narratives; his way of looking at life owes much to the twin influences of folk art and modernist absurdism. Each of his painted, drawn, or cut-up stories is both specific and open-ended, as though—not unlike Henry Darger’s paintings—they are part of a much grander and ongoing tale that is going to take a long time to unfold. They are full of disjunctions, incongruities, and allusions, and in that respect they have some resemblance to unusually interesting dreams. The conventional logic of time and space is suspended, and the mood is often unheimlich, or uncanny. But there is always a lightness in his touch." Featured image, Untitled (The Cornet) (2012), is reproduced from All I Have Learned and Forgotten Again.

Jockum Nordström: All I Have Learned and Forgotten Again

Jockum Nordström: All I Have Learned and Forgotten Again

Hatje Cantz
Hbk, 9 x 11.5 in. / 208 pgs / 103 color.





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